Event JSON
{
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"https://jacobin.com/2025/02/emilia-perez-oscars-controversy-gascon/"
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[
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"\u003ccite\u003eEmilia Pérez\u003c/cite\u003e Is the Ultimate Unloved Oscar Nominee"
],
[
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"1738748544"
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[
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"The article explores the controversy surrounding the film Emilia Pérez, which has been criticized for its stereotypical representations of Mexican culture and its portrayal of gender transitioning. The film's star, Karla Sofía Gascón, has been accused of racism and discrimination due to her old tweets, which have resurfaced. The article also discusses the film's poor audience reactions and mixed reviews, and questions the Academy's decision to nominate the film for 13 Oscars. The article concludes by speculating about the potential impact of the controversy on the film's chances at the Oscars."
]
],
"content": "nostr:nprofile1qyd8wumn8ghj7ctjw35kxmr9wvhxcctev4erxtnwv4mhxqpqcxwturs6tupm30z8m5rtdgtm7srx3yxq0cgyqvyc7vzwhrtehq8qntej22\nhttps://images.jacobinmag.com/wp-content/uploads/2025/02/05094008/emiliaperez5-1600x900-c-default-1-900x635.jpeg\nIf you’re paying attention to the movies, you’ve probably already seen Emilia Pérez or at least heard a lot about it. The much-praised film is currently in the news because of the scandal surrounding one of its stars, Karla Sofía Gascón, whose controversial tweets from 2020–21 about Muslims, George Floyd, and diversity at the Oscars [\u0026hellip;]\nhttps://jacobin.com/2025/02/emilia-perez-oscars-controversy-gascon/",
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}
