Anna Anthro on Nostr: nprofile1q…fgd7f You phrased it so well. I admire a screenwriter asking themselves ...
nprofile1qy2hwumn8ghj7un9d3shjtnddaehgu3wwp6kyqpqx958mljru46qe7qak7zcjhd69jcg8wm3a896z5fmqwrq2nkw7vssqfgd7f (nprofile…gd7f) You phrased it so well. I admire a screenwriter asking themselves - what is this story’s core message & would it play out that way here?
It worked really well in My Dearest. Gone with Wind’s context of racism, sexism, class & internal US Civil War strife worked better placed in Joseon-Qing period than a Japanese occupation.
Maestra’s adaptation of the French series about a female conductor was also very distinct.
Korea is very good at creative extracts amid power chaos.
It worked really well in My Dearest. Gone with Wind’s context of racism, sexism, class & internal US Civil War strife worked better placed in Joseon-Qing period than a Japanese occupation.
Maestra’s adaptation of the French series about a female conductor was also very distinct.
Korea is very good at creative extracts amid power chaos.