mart0 on Nostr: npub1mucnl…zv4gj npub1dldga…6yy2a I think the caveat is that my opinion is ...
npub1mucnlka67uhqyattl0lsk3rqufkn3y6p9zqq5ev5emtr9vtc3u0qtzv4gj (npub1muc…v4gj) npub1dldgaj4fphpwntqs87hkmz7tr2n9q3efshewzuuqxeyj450j0ecs96yy2a (npub1dld…yy2a)
I think the caveat is that my opinion is directed specifically at DIY hardcore punk (which is by definition going to almost always be without soundcheck at small venues with, perhaps, monitors and a tech). That is an opinion, but I do hold it strongly! It definitely doesn't apply to a wide variety of other sonic genres or artistic approaches
Part of this is because sound techs (love them but) often do not understand how a hardcore punk band wants to sound. Being loud on stage and letting the sound tech focus on making the vocals audible, and perhaps monitors, is a better recipe for a good show. See how loud compressed kick in sub is at most shows currently, compared to historically.
Another reason is hardcore punk enjoyers often like to be right up at the stage. In a swirling pit. Jumping off the stage. Locations in a venue where the sound system is simply not driving the mix. Cranking the amps through 4x12s on stage addresses this.
Finally, it's an experience. This swirling pit. The energy. You need that 'sonic assault' in that front part of the room it needs to be searing and abrasive in your face to raise a crowd's energy level. PA speakers mounted high and pointed at the back of the room can't achieve that.
I think the caveat is that my opinion is directed specifically at DIY hardcore punk (which is by definition going to almost always be without soundcheck at small venues with, perhaps, monitors and a tech). That is an opinion, but I do hold it strongly! It definitely doesn't apply to a wide variety of other sonic genres or artistic approaches
Part of this is because sound techs (love them but) often do not understand how a hardcore punk band wants to sound. Being loud on stage and letting the sound tech focus on making the vocals audible, and perhaps monitors, is a better recipe for a good show. See how loud compressed kick in sub is at most shows currently, compared to historically.
Another reason is hardcore punk enjoyers often like to be right up at the stage. In a swirling pit. Jumping off the stage. Locations in a venue where the sound system is simply not driving the mix. Cranking the amps through 4x12s on stage addresses this.
Finally, it's an experience. This swirling pit. The energy. You need that 'sonic assault' in that front part of the room it needs to be searing and abrasive in your face to raise a crowd's energy level. PA speakers mounted high and pointed at the back of the room can't achieve that.