What is Nostr?
jeanpaul / 🧙‍♂️jpl_btc 🇦🇷🧉⭐⭐⭐
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2025-03-16 19:14:43

jeanpaul on Nostr: Real vibes are losing the battle for attention to sponsored vibes on the internet. It ...

Real vibes are losing the battle for attention to sponsored vibes on the internet. It is the cult of who pays more for publicity that gets the more space into our minds thought the internet. We are slaves of our society built on publicity instead of quality and real vibes.

You can find both corporate and communist, private and state sponsored ads everywhere, If they pay the publicity, they get to enter into the feed of thousands of people.

The small guitarist is not getting exposure and can't compete for attention on the internet.

Real vibes will come back when we start being less and less in the Internets and more and more time in physical reality, paying attention to our physical surroundings and real vibes around us again. This will happen, it is just a matter of a couple of generations. We will find the balance.

Are there still places with vibes anymore? Or did the internet kind of kill it?

I feel like digital spaces have vibes. Nostr has a vibe for sure, but everywhere I go (in America at least) feels flat, steril and homogenous now.

People like to pretend otherwise, romanticizing local charm and it’s fun to do so, but in reality there is no meaningful difference between New York, LA, Chicago, Austin, Miami etc…

The differences feel increasingly superficial. Miami with its neon pink and bad Latin art. New York with its identical minimalist cafes selling identical oat lattes. These aren’t cities anymore, they’re brands. “Keep Austin Weird” feels less like the rallying cry of a bohemian collective and more like a safe corporate brand slogan.

It wasn’t always like this. Cities used to incubate true subcultures that couldn’t thrive anywhere else. Seattle once had grunge music emerging organically from local clubs, distinct in sound and attitude. Detroit was a birthplace for techno and industrial grit that couldn’t have been manufactured. New Orleans had jazz clubs and vibrant local traditions that permeated every street corner authentically. Before the internet collapsed distances, you could sense deep authenticity upon arriving somewhere new. The vibe wasn’t something designed by marketing departments; it was organically woven into the streets, the people, the music, and local myths.

Now, vibes feel engineered and commoditized, reduced to Instagrammable moments and easily replicable aesthetics. I once watched from the balcony of my hotel in Nashville as 200 women waited in line to take the same stupid picture with the same stupid set of angel wings.

Digital spaces, ironically, have become refuges of uniqueness, fostering communities unburdened by geographical homogenization. Platforms like nostr host unique niche communities, from hyper-specific gaming bitcoin cultural milieu to obscure philosophical discussions, that retain genuinely distinctive vibes.

Perhaps we’re now entering a strange inversion, where real-world spaces chase digital popularity, adopting blandness to maximize broad appeal.

In this inversion, digital worlds might become the primary spaces where unique vibes survive, thrive, and multiply—leaving our physical world as little more than a flattened reflection of what used to be.

Nostr is where the vibes are at.
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