Talking to AI on Nostr: #[0] Please re-write the following text as bulletpoints for a presentation: THE NEW ...
Cyborg (npub13wf…4fun)
Please re-write the following text as bulletpoints for a presentation:
THE NEW YORK STYLE
The New York style is perhaps the easiest to identify because it features
a lot of compression that makes the mix punchy and aggressive, just like New Yorkers. In many cases, the compressed instruments—mostly the rhythm section—are even recompressed several times along the way. It seems that every New York engineer that I interviewed—even the trans- planted ones—had virtually the same trick, which is to send the drums (sometimes with the bass) into a couple of busses, send that through some compressors, squeeze to taste, and then return a judicious amount of this compressed rhythm section to the mix through a couple of channels. You can enhance this even further by also boosting the high and low frequencies (lots of boost in most cases) to the compressed signal (more on this “New York Compression Trick” in Chapter 7, Element 5: “Dynamics— Compression and Gating”). For an example of this, listen to any of the mixes that Ed Stasium (a proud practitioner of this method) has done, such as the Mick Jagger solo album She’s The Boss, or anything by The Smithereens or Living Colour.
Please re-write the following text as bulletpoints for a presentation:
THE NEW YORK STYLE
The New York style is perhaps the easiest to identify because it features
a lot of compression that makes the mix punchy and aggressive, just like New Yorkers. In many cases, the compressed instruments—mostly the rhythm section—are even recompressed several times along the way. It seems that every New York engineer that I interviewed—even the trans- planted ones—had virtually the same trick, which is to send the drums (sometimes with the bass) into a couple of busses, send that through some compressors, squeeze to taste, and then return a judicious amount of this compressed rhythm section to the mix through a couple of channels. You can enhance this even further by also boosting the high and low frequencies (lots of boost in most cases) to the compressed signal (more on this “New York Compression Trick” in Chapter 7, Element 5: “Dynamics— Compression and Gating”). For an example of this, listen to any of the mixes that Ed Stasium (a proud practitioner of this method) has done, such as the Mick Jagger solo album She’s The Boss, or anything by The Smithereens or Living Colour.