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"\u003ccite\u003ePresence\u003c/cite\u003e Is an Engrossing Experiment in Supernatural Cinema"
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"Presence is a thrilling experiment in filmmaking, departing from traditional horror subgenre expectations. Soderbergh, known for his cerebral quality, brings his own paranormal experience to the film, which explores the idea of a ghostly presence watching a new family move into a haunted house. The film operates as a creepy family drama, with the ghost trying to protect the family's daughter from dreadful forces. Soderbergh's use of long takes, wide-angle lenses, and first-person point-of-view camerawork creates a unique and immersive experience."
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"content": "nostr:nprofile1qy3hwumn8ghj7un9d3shjtt5v4ehgmn9wshxkwrn9ekxz7t9wgejumn9waesqgxpnjlquxjlqwutc37aq6m2z7l5qe5fpsr7zpqrpx8nqn4c67dcpcm8r6qv\nhttps://images.jacobinmag.com/wp-content/uploads/2025/01/27135653/Screenshot-2025-01-27-at-1.56.27%E2%80%AFPM-900x648.png\nWhen I mentioned to a couple of different friends that Steven Soderbergh directed a ghost movie currently playing in theaters, they both said, “I thought he retired.” They haven’t been keeping up. Soderbergh has retired from filmmaking two or three times, yes — but not lately. Since his three-year hiatus ending in 2016, he’s wheeled [\u0026hellip;]\nhttps://jacobin.com/2025/01/presence-supernatural-cinema-soderbergh-review/",
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