aLoneWorldEnds on Nostr: < World Premiere > KAIKHOSRU SHAPURJI SORABJI : Gulistān, KSS63 Tuesday 22 November, ...
< World Premiere >
KAIKHOSRU SHAPURJI SORABJI : Gulistān, KSS63
Tuesday 22 November, 1977
Wigmore Hall, London, England
Yonty Solomon, Piano solo
Sorabji wrote a number of nocturnes, from the earliest stages in his development until his final years. These include some of his better-known works such as 'Le jardin parfumé' and 'Djâmi'. Several works — such as 'In the Hothouse' of 1918 and the much later 'Villa Tasca', written 1979–80 — are not designated as nocturnes, but nonetheless occupy the same languorous, exotic atmosphere that characterises 'Gulistān' (1940), arguably his most succesful essay in the genre. The poet Sa‘dī of Shīrāz (ca. 1213–92) finished the extended Gulistān in 1258, after many years of travelling. Although Sorabji’s nocturne is not a programmatic work, that the poem had significant influence on the work’s composition is undeniable.
— Jonathan Powell
KAIKHOSRU SHAPURJI SORABJI : Gulistān, KSS63
Tuesday 22 November, 1977
Wigmore Hall, London, England
Yonty Solomon, Piano solo
Sorabji wrote a number of nocturnes, from the earliest stages in his development until his final years. These include some of his better-known works such as 'Le jardin parfumé' and 'Djâmi'. Several works — such as 'In the Hothouse' of 1918 and the much later 'Villa Tasca', written 1979–80 — are not designated as nocturnes, but nonetheless occupy the same languorous, exotic atmosphere that characterises 'Gulistān' (1940), arguably his most succesful essay in the genre. The poet Sa‘dī of Shīrāz (ca. 1213–92) finished the extended Gulistān in 1258, after many years of travelling. Although Sorabji’s nocturne is not a programmatic work, that the poem had significant influence on the work’s composition is undeniable.
— Jonathan Powell