Rasterman on Nostr: This reminded me, the other day I tried to watch a 1951 movie from Metro Goldwyn ...
This reminded me, the other day I tried to watch a 1951 movie from Metro Goldwyn Mayer called [b]Quo Vadis[/b]. It was set in Rome during Nero (played by a jew) and if the opening credits (also full of jews in all levels of production) weren't enough to set the mood, the opening proper does, where they brag how Rome will be destroyed by Christianity.
It's such an excellent portrayal of the corrupting and subversive nature of Christianity to the old world, I was astounded.
And disgusted, but mostly because it was both accurate and clear the jews were getting a kick out of rubbing it in.
Even portrays how Christianity infected Rome by persuading women and slaves first. And how it stands as a feminine religion in opposition to the Indo-European warrior culture. Big budget, probably, because it looks great. Also, in colour, which was not always a given for a movie from that era.
And Paul of Tarsus makes an appearance, portrayed by a cartoonishly jewish jew with a nose so big I first thought it was a prosthetic.
It's such an excellent portrayal of the corrupting and subversive nature of Christianity to the old world, I was astounded.
And disgusted, but mostly because it was both accurate and clear the jews were getting a kick out of rubbing it in.
Even portrays how Christianity infected Rome by persuading women and slaves first. And how it stands as a feminine religion in opposition to the Indo-European warrior culture. Big budget, probably, because it looks great. Also, in colour, which was not always a given for a movie from that era.
And Paul of Tarsus makes an appearance, portrayed by a cartoonishly jewish jew with a nose so big I first thought it was a prosthetic.