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"Bob Dylan’s Newport Performance Was a Great Political Drama"
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"The article provides a detailed analysis of Dylan's performance at Newport, including the cultural and political context of the time. It discusses the controversy surrounding Dylan's decision to go electric, and the impact it had on the folk community. The article also explores the themes of authenticity, commercialization, and the tension between artistic vision and commercial success."
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"content": "nostr:nprofile1qy3hwumn8ghj7un9d3shjtt5v4ehgmn9wshxkwrn9ekxz7t9wgejumn9waesqgxpnjlquxjlqwutc37aq6m2z7l5qe5fpsr7zpqrpx8nqn4c67dcpcm8r6qv\nhttps://images.jacobinmag.com/wp-content/uploads/2025/02/20120542/GettyImages-74946446-900x645.jpg\nBob Dylan’s electric set at the Newport Folk Festival in July 1965 was to become, in Clinton Heylin’s words, “the most written about performance in the history of rock.” And not without cause. Dylan’s clash with the constituency from which he’d emerged, including individuals who’d sponsored his early career, was high Oedipal drama, marked by [\u0026hellip;]\nhttps://jacobin.com/2025/02/dylan-newport-festival-political-drama/",
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