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geoffreygevalt /
npub1smy…l38g
2024-02-29 17:40:41
in reply to nevent1q…60uj

geoffreygevalt on Nostr: npub1hze77…z3jt3 npub1q32ag…wxgsx npub1cz0cd…fwk5s npub1wu79x…p3d23 ...

npub1hze77ym6st0l8k0j9j3p9kgtejk0n6vphts7afuszdlend02shusqz3jt3 (npub1hze…3jt3) npub1q32ag9luy7aml7v0hydr6xe06hk0j8w2pu8u3k0z4tlf04ewyftsjwxgsx (npub1q32…xgsx) npub1cz0cd5uqepnz4xp3kdtsgewxnw07a3q228efjh9xdf5plcgpptnqefwk5s (npub1cz0…wk5s) npub1wu79xcek5gh37z26ecjvgqc90pr4z3s9msz7dvf4qdp23uegeclszp3d23 (npub1wu7…3d23) npub1l7u8n03prkhx4gs7lsn9wl7yqnpjdwk70mnnvht0nxf290et037scrcn2r (npub1l7u…cn2r) Margaret, you read the first of six character sketches I wrote for stage. I thought they would be major parts of the novel. As it turned out, I nixed all of those pieces BUT turned most of them into micro stories within a new structure of opening each chapter (a year) with a handful of micro stories to set the tone and move plot and characterization along. Interestingly, Mastodon prompts helped me edit some of those down to 500 characters.
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