ava on Nostr: Fritz Lang’s Scarlet Street (1945) HD 👀🔊 ...
Fritz Lang’s Scarlet Street (1945) HD 👀🔊
https://ia800501.us.archive.org/23/items/Scarlet.Street.194517/ScarletStreet1945.m4v
Plot summary:
A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.
Film description:
A box-office hit (despite being banned in three states), Scarlet Street is one of legendary director Fritz Lang's (M, Metropolis) finest American films. When middle-aged milquetoast Chris Cross (Edward G. Robinson, The Stranger) rescues street-walking bad girl Kitty (Joan Bennett, The Woman in the Window) from the rain-slicked gutters of an eerily artificial back-lot Greenwich Village, he plunges into a whirlpool of lust, larceny and revenge. As Chris' obsession with the irresistibly vulgar Kitty grows, the meek cashier is seduced, corrupted, humiliated and transformed into an avenging monster before implacable fate and perverse justice triumph in the most satisfyingly downbeat denouement in Hollywood history. Dan Duryea (Larceny), as Kitty's pimp boyfriend, skillfully molds "a vicious and serpentine creature out of a cheap, chiseling tin horn" (The New York Times). Packed with hairpin plot twists and "bristling with fine directorial touches and expert acting" (Time), Scarlet Street is a dark gem of film noir.
Historical context:
On January 4, 1946, the New York State Censor Board banned Scarlet Street entirely, relying on the statute that gave it power to censor films that were "obscene, indecent, immoral, inhuman, sacrilegious" or whose exhibition "would tend to corrupt morals or incite to crime." As if in a chain reaction, one week later the Motion Picture Commission for the city of Milwaukee also banned the film as part of a new policy encouraged by police for "stricter regulation of undesirable films." On February 3 Christina Smith, the city censor of Atlanta, argued that because of "the sordid life it portrayed, the treatment of illicit love, the failure of the characters to receive orthodox punishment from the police, and because the picture would tend to weaken a respect for the law," Scarlet Street was "licentious, profane, obscure and contrary to the good order of the community."
Archive Link:
https://archive.org/details/Scarlet.Street.194517
#ClassicFilms #FilmNoir #FemmeFatale #Flickstr
https://ia800501.us.archive.org/23/items/Scarlet.Street.194517/ScarletStreet1945.m4v
Plot summary:
A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.
Film description:
A box-office hit (despite being banned in three states), Scarlet Street is one of legendary director Fritz Lang's (M, Metropolis) finest American films. When middle-aged milquetoast Chris Cross (Edward G. Robinson, The Stranger) rescues street-walking bad girl Kitty (Joan Bennett, The Woman in the Window) from the rain-slicked gutters of an eerily artificial back-lot Greenwich Village, he plunges into a whirlpool of lust, larceny and revenge. As Chris' obsession with the irresistibly vulgar Kitty grows, the meek cashier is seduced, corrupted, humiliated and transformed into an avenging monster before implacable fate and perverse justice triumph in the most satisfyingly downbeat denouement in Hollywood history. Dan Duryea (Larceny), as Kitty's pimp boyfriend, skillfully molds "a vicious and serpentine creature out of a cheap, chiseling tin horn" (The New York Times). Packed with hairpin plot twists and "bristling with fine directorial touches and expert acting" (Time), Scarlet Street is a dark gem of film noir.
Historical context:
On January 4, 1946, the New York State Censor Board banned Scarlet Street entirely, relying on the statute that gave it power to censor films that were "obscene, indecent, immoral, inhuman, sacrilegious" or whose exhibition "would tend to corrupt morals or incite to crime." As if in a chain reaction, one week later the Motion Picture Commission for the city of Milwaukee also banned the film as part of a new policy encouraged by police for "stricter regulation of undesirable films." On February 3 Christina Smith, the city censor of Atlanta, argued that because of "the sordid life it portrayed, the treatment of illicit love, the failure of the characters to receive orthodox punishment from the police, and because the picture would tend to weaken a respect for the law," Scarlet Street was "licentious, profane, obscure and contrary to the good order of the community."
Archive Link:
https://archive.org/details/Scarlet.Street.194517
#ClassicFilms #FilmNoir #FemmeFatale #Flickstr